When Bruce Springsteen finally broke through to national recognition in the fall of 1975 after a decade of trying,
critics hailed him as the savior of rock & roll, the single artist who brought together all the exuberance of '50s
rock and the thoughtfulness of '60s rock, molded into a '70s style. He rocked as hard as Jerry Lee Lewis, his lyrics were as complicated
as Bob Dylan's, and his concerts were near-religious celebrations of all that was best in music. One critic became so enamored that he quit
reviewing to become Springsteen's manager.
Growing up in southern New Jersey, Springsteen turned to rock & roll as a teenager and played in a series of bands from the mid-'60s on,
varying in style from garage rock to power trio blues-rock. By the early '70s, he was trying his hand at being a folky singer/songwriter in Greenwich Village.
But when he was signed to Columbia Records in 1972, he brought into the studio many of the New Jersey-based musicians with whom he'd played over the years.
The result was Greetings from Asbury Park, N.J. (January 1973), which went unnoticed upon initial release, though Manfred Mann's Earth Band would turn its
leadoff track, "Blinded by the Light," into a number one hit four years later. The Wild, the Innocent & the E Street Shuffle (September 1973) also failed to
sell despite some rave reviews.
The following year, Springsteen revised his backup group -- dubbed the E Street Band -- settling on a lineup that included saxophone player Clarence Clemons,
second guitarist "Miami" Steve Van Zandt, organist Danny Federici, pianist Roy Bittan, bassist Garry Tallent, and drummer Max Weinberg. With this unit he
barnstormed the country while working on his third and last chance with Columbia. By the time Born to Run (August 1975) was released, the critics and a significant
cult audience were with him, and the title song became a Top 40 hit while the album reached the Top Ten.
What Springsteen needed to do in the wake of the hype, of course, was to play and record more to consolidate his position. He was prevented at least from the latter
by a former manager, who kept him in court during the next couple of years. Meanwhile, the musical world changed. Part of the reason critics had welcomed Springsteen
so enthusiastically in 1975 was that he seemed a return to basic rock & roll values in a world of soft rock, heavy metal, and art rock. By the time Springsteen
returned with his fourth album, Darkness on the Edge of Town (June 1978), however, the punk/new wave movement had outflanked him, pushing him from the vanguard to
the mainstream. Similar sounding heartland rockers such as Bob Seger had appeared, so that Springsteen sounded less like an innovator than a member of an established
genre.
Nevertheless, he set about winning fans with an album that found the lost children of his early albums stuck in factory jobs, still longing for some escape.
The album was a hit, though it did not match the success of Born to Run. Springsteen returned with the double album The River (October 1980), which topped the charts
and featured his first Top Ten hit, "Hungry Heart." Nobody was calling him a hype anymore, but Springsteen retreated from his expanding success, next recording the
low-key album Nebraska (September 1982), a virtual demo tape on vinyl. (Springsteen did not tour to promote the album, and in the interim E Street Band guitarist
Van Zandt amicably left the group for a solo career, to be replaced by Nils Lofgren.) But then came Born in the U.S.A. (June 1984) and a two-year international tour.
The album threw off seven hit singles and sold over ten million copies, putting Springsteen in the pop heavens with Michael Jackson and Prince. After touring for more
than a year, he released a five-LP/three-CD concert album, Live/1975-85 (November 1986), which topped the charts.
Characteristically, Springsteen returned with a more introverted effort, Tunnel of Love (October 1987), which presaged his divorce from his first wife.
(He married a second time to singer Patti Scialfa, who had joined the E Street Band.) After another marathon tour, Springsteen gave the E Street Band notice in
November 1989, breaking up a celebrated unit who had stayed together 15 years. In March 1992, he simultaneously released Human Touch and Lucky Town, and though
the albums premiered near the top of the charts, they were less successful with fans than previous efforts. In the fall, Springsteen taped an MTV Unplugged segment
(though he plugged in after one song), and the performance was released as an album in Europe in 1993.
Springsteen continued to tour until July 1993. In the fall, he wrote and recorded "Streets of Philadelphia" for the soundtrack to the film Philadelphia, which concerned
a lawyer dying of AIDS. The song became a Top Ten hit in 1994, winning the Academy Award for Best Song and cleaning up at the Grammys the following year.
At the same time, Springsteen had readied his Greatest Hits album (February 1995), reassembling the E Street Band to record a few new tracks. The album was an immediate
best-seller. Springsteen followed it with The Ghost of Tom Joad (November 1995), another low-key, downcast, near-acoustic effort and embarked upon a brief solo tour.
In 1999, shortly after his induction into the Rock & Roll Hall of Fame, Springsteen reunited with the E Street Band (including both Lofgren and Van Zandt on guitars)
and embarked on a world tour that lasted until mid-2000, its final dates resulting in the album Live in New York City.
He then made his first new full-length studio
album to feature the group as a whole since Born in the U.S.A., The Rising, his first album of new studio recordings since The Ghost of Tom Joad. Released in July 2002,
it was followed by another successful tour and recording sessions for a new album, released as Devils & Dust in 2005. One year later he released the first covers album
of his career, a tribute to the songs of Pete Seeger titled We Shall Overcome: The Seeger Sessions. Live in Dublin, featuring concert tracks done on the tour supporting
the Seeger project, was released on both CD and DVD in 2007.
William Ruhlmann, All Music Guide
Bruce Springsteen (vocals/guitar)
Ray Bittan (piano, keyboard synthesizer)
Clarence Clemons (saxophone)
Nils Lofgrens (guitar, accordian)
Patti Scialfa (backing vocalist)
Stevie Van Zandt (mandolin,/guitar)
Max Weinberg (drums)
